The SAGE Guide to Key Issues in Mass Media Ethics and Law is an authoritative and rigorous two-volume, issues-based reference set that surveys varied views on many of the most contentious issues involving mass media ethics and the law. Divided into six thematic sections covering information from contrasting ethical responsibly and legal rights for both speech and press, newsgathering and access, and privacy to libelous reporting, business considerations, and changing rules with social media and the Internet, the information in this guide is extremely relevant to a variety of audiences. This guide specifically focuses on matters that are likely to be regular front-page headlines concerning topics such as technological threats to privacy, sensationalism in media coverage of high-profile trials, cameras in the courtroom, use of confidential sources, national security concerns and the press, digital duplication and deception, rights of celebrities, plagiarism, and more. Collectively, this guide assesses key contentious issues and legal precedents, noting current ethical and legal trends and likely future directions. This reference guide is an excellent source for the general public, students, and researchers who are interested in expanding their knowledge in mass media and the ethics and law surrounding it. William A. Babcock also serves as Editor of Gateway Journalism Review. He began a journalism career with the Post-Dispatch in , and he worked for many years in the paper's Washington bureau. He returned to St. Louis to become the deputy editorial page editor in
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The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, , by Interscope Records. Musically, The Fame is an electropop , synth-pop , and dance-pop album that displays influences from s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, The album received generally favorable reviews from critics, who commended its lyrical content and Gaga's musicianship and vocal ability. It was a commercial success, topping the charts in several countries including the United Kingdom, Canada, Germany, Ireland, Poland, and Switzerland. The Fame became the fifth best-selling album of , and has sold over 4.
When Lady Gaga smashed into the music scene back in , people were naturally taken aback. Here was an eccentric, diva-like pop singer operating under a mysterious pseudonym that managed to score four top ten hits off of a debut album. In stunningly short period of time, Gaga had not only broken into the mainstream, but defied expectations of what was allowed for pop stars of the s. She's still a force in popular music, though may never be the trailblazing star she was on her first album again. But no matter what career paths Gaga takes, The Fame will always serve as the album that not only introduced the world to one of the most ubiquitous pop stars of the 21st century, but as a redefinition of how artists cross over to the mainstream. Since its release, The Fame has served as a template for up-and-coming artists on how to achieve status and attention within the pop music milieu. In the end, Kills never achieved mainstream success, and was ultimately dropped by Akon, Cherrytree and Interscope.
It was released through Interscope Records on September 27, as the lead single from the soundtrack to the musical romantic drama film, A Star Is Born. The song is heard three times throughout the film, most prominently during a sequence when Cooper's character Jackson Maine invites Gaga's character Ally to perform it onstage with him. Gaga wrote it from Ally's point of view with the self-aware lyrics asking each other if they are content being who they are. A rock power ballad ,  the song finds Gaga and Cooper trading verses and gradually moves toward the climactic final chorus with a vocal run by Gaga. The recording is interspersed with the sound of audience noise and applause. An accompanying music video was also released, showing both Gaga and Cooper's characters singing "Shallow" together onstage, interspersed with scenes from A Star Is Born.